Reclamando la voz femenina: un análisis de la transitividad de los “días sin carne”.

Asmat A. Sheikh; Sadia Rahim; Hira Ali; Nazia Suleman; Tahira Asgher.

Asmat A. Sheikh The Women University Multan
Sadia Rahim The Women University Multan
Hira Ali Department of English, University of Sargodha, Sargodha.
Nazia Suleman The Women University Multan
Tahira Asgher. Department of English, The Islamia University of Bahawalpur.

Palabras clave: agencia, metanarrativa, Sara Suleri, análisis de transitividad

Resumen

Este estudio se centra en los "Días sin carne" de Suleri (1991), ya que esta memoria derriba con destreza la historia hegemónica masculina mediante la reconstrucción de guiones feministas alternativos. Para analizar el texto, este estudio se basa en las posturas teóricas presentadas por Bakhtain (2010) y Beauvoir (1988), ya que estos marcos, opuestos al lenguaje masculino, exigen un nuevo estilo de escritura. El análisis revela que los procesos materiales son más dominantes. Estos procesos están asociados principalmente con Sara, que está comprometida en un intento inútil de verificar su natividad.

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