Expression and lanscape in Iranian painters and photographers’ artworks with the abstract approach.

Abstract

In assessing the landscape in contemporary photography and painting in Iran, different approaches have been taken into account. The present study emphasizes the synchronization of the scenario with modernism in Iran, which has gone through continuous stages of hobby, repetition, until reaching doubt, and then, criticism. The results of the present study through descriptive, historical and analytical methods showed that Iranian painters and photographers after the 1920s and 1930s have had the ability to analyze nature and pass it through repetition (from the west) filter and alter the view and the scene in the 1970s and 1980s.