Investigar el efecto del teatro oprimido en el buen comportamiento de los prisioneros y mejorar su interacción humana y responsabilidad social.
Resumen
El funcionamiento del teatro oprimido en las cárceles que hasta ahora se ha abordado poco debe investigarse de manera científica y analítica. Esta es una investigación aplicada en términos de propósito, y descriptiva-experimental y correlacional en términos de metodología. La población estadística incluía 135 prisioneros en la provincia de Yazd, y el tamaño de la muestra se estimó en 100 según la tabla de Cochran. Los datos estadísticos se analizaron mediante SPSS. Los resultados muestran que el teatro oprimido es efectivo en la rehabilitación y entrenamiento de prisioneros.
Citas
Aghaabasi, Y. (2011), Creative theatre, Ghatre Publishing .
Amini, R. (2011), Pedagogical Theater (Educational-didactic): Principles and standards, Afraz Publishing, First Edition.
Aristazabal, Hector and Lefer, Diane, the Blessing next to the Wound, Lantern Books, 2010.
Babbage, Frances, Augusto Boal, Routledge, 2004.
Baim, Clark et al. the Geese Theatre Handbook: Drama with Offenders and People at Risk, Waterside Press, 2002.
Balfour, Michael, Theatre in Prison: Theory and Practice, Intellect, 2004.
Boal, A, (2003). Theatre for the oppressed people, translated by Javad Zolfaghari and Maryam Ghasemi, Nowruz-e Honar Publishing, First edition.
Boal, A. (2007). Wish Rainbow: Augusto Boal theatrical and therapeutic technique, translated by Bahar Sirafi, Nemayesh publishing.
Boal, A. (2010), Legislative theater: The Use of the performing art for policy-making, Translated by Ali Zafar Ghahraman Nejad, Bidgol Publishing.
Brubacher, Matthew R. Learning by Doing: 'Theatre of the Oppressed' in Prisons, Howard League for Penal Reform, 2003.
Buchleitner, Katya, Glimpses of Freedom; the Art and Soul of Theatre of the Oppressed in Prison, Lit Verlag, 2010.
Daneshpaye, L. (2014). The training effect of the correction house on rehabilitation of those conflicting with the Law, Master's Theses. Allameh Tabatabaei University.
Khosroshahi, G. (2011). Preventing crime in Quranic teachings. Journal of Strategic Management Researches (30 and 31): 55-73.
Kianiyan, D. (2012), Creative Theater, Sure-e Mehr Publication, First Edition.
Majidi Bidgoli, K. (2008). "Damages caused by prison punishment", Journal of Rehabilitation and training, (74): 26-30.
Morgan Mitchell, Martin (2007) Theatre of the oppressed in us prisons: eight years of working with adult and youth prisoners examined.
Nicholsen, H. (2010), Applied Drama: Theatre endowment, Translated by Ali Zafar Ghahraman Nejad and others, Afraz Publishing, First Edition.
Niyazipour, AHasan. (2012). "Criminological assignments of the Judiciary in the light of the law of 5th Economic, Social and Cultural Development Plan." Law Magazine of Justice, (80): 195- 220.
Prendagrost, M., & Sacksten, J. (2015). Applied theater: International case studies and practical challenges, Translated by Ali Zafar Ghahraman Nezhad, Nemayesh Publishing, First Edition.
Prentki, Tim and Preston, Sheila, the Applied Theatre Reader, Routledge, 2009.
Teyran, A. (2011), About Augusto Boal and joker system, Afraz Publishing.
Thompson, James, Critical citizenship: Boal, Brazil and theatre in prisons, Annual Review of Critical Psychology, 2000 Discourse Unit, Vol. 2, pp. 181-191
Thompson, James, Prison Theatre: Perspectives and Practices, Jessica Kingsley Publishers, 1998.
White, R & Fiona, H. (2007). Crime and criminology; translated by Ali Salimi. Third edition, Tehran: Hozeh and university research institute.
Zafar Ghahraman Nejad, A. (2015), Oppressed Theater: Theater and citizenship, Shahr Publishing, First Edition.
